Two new sketch
comedy shows joined the airwaves—interestingly, both are produced by Abso
Lutely productions, the brainchild of Tim Heidecker & Eric Wareheim (of Tim & Eric Awesome
Show, Good Job! fame). The company espouses a particular brand of humor
that targets the mundane by exaggerating its mundanity. The result is absurd and generally a bit
humiliating for the performers, but comments on something that we, as a culture,
often ignore—the totally ordinary. How
do things become ordinary? Should we
default to the ordinary without examining it? These shows don’t perform that
examination—mostly, they mock it and mine it for giggles—but they remind us that the
ordinary is worth examining.
Hot Package (Cartoon/Adult
Swim, new. Absurdist sketch comedy.)
Watched: one
episode
Premise: 15-minute
parody of entertainment newsmagazine shows.
Promise: Another
in the rapid-fire-absurdity genre, a la Robot Chicken. But where Robot Chicken uses toys to mock various
pop culture references, Hot Package uses file footage to mock entertainment newsmagazine
shows like Access Hollywood, Extra!, and Entertainment Tonight. And, like Robot Chicken, the bad news is that
only some of the show’s retro-nonsequitur humor is funny—but the good news is
that none of the bits last more than a few seconds, so if something is
offensive or not funny, at least it’s short.
Pat O’Brien stars, essentially reprising his hosting role from The
Insider.
Verdict: Not important by any means, and only sometimes funny, but if you like
Robot Chicken and its ilk, or if you like the idea of mocking entertainment
newsmagazines, the 15 minutes goes by pretty quick.
The Birthday Boys
(IFC, new. Sketch comedy.)
Watched: pilot
Premise: Sketch
comedy troupe performs parody and occasional absurdism.
Promise: Apparently,
Bob Odenkirk discovered this troupe and joined them for purposes of the
show. His presence is a blessing and a
curse because, much like the celebrity guest in a Saturday Night Live sketch,
he is two things at once (himself and the character) when the rest of the
troupe is only one thing at once. The
troupe members are good actors, and the sketches are very well-produced. (One, a parody of documentaries about the
history of the personal computer, wove through the pilot episode and really
captured the look and feel of those documentaries.) No particular theme ties the sketches
together, but like Kroll Show, there is a single recurring sketch throughout
the episode and the other sketches often connect to each other through
overlapping gags. Aside from that, the
show is as effective as most sketch comedy shows—some of the sketches are funny
and some aren’t. Most of them are one-joke sketches, so their
relative humor depends on whether the joke can carry a whole sketch.
Verdict: A little weak, but promising enough that I’ll
give it a couple more tries.
On the DVR: Lucky 7 (canceled), Masters of Sex, Betrayal, Sean Saves the World, Witches of East End, Reign...and more starting next week...
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