Friday, April 4, 2014

Show Me The Competence



I don’t think of myself as a huge fan of reality shows, but that’s really because I don’t care for the “documentary about loathsome people” variety.  Shows about competent people doing what they’re good at, on the other hand, I tend to like a lot.  They work best when they take the tone of cheering the participants on—pushing them to do things they might not have realized themselves capable of—rather than setting them up to fail.  This is a thin line on many of the competition shows, since of course someone has to “fail” to be knocked off each week. But some shows really embody the philosophy of wanting everyone to succeed, and just finding the best among a group of people the show already acknowledges as great in the first place.  So You Think You Can Dance may be the best example of this.  I appreciate that, since these shows are about merit rather than drama (and also because they are engineered this way), they also tend to have very diverse casts.  A second group, like Top Chef and Project Runway, also do this well, but incorporate interpersonal drama into the mix.  I enjoy these shows, but I find myself fast forwarding past the interpersonal drama part to get to the competence porn.  

I don’t think I’m alone in feeling this way—give me more talented people doing what they’re good at, please—and yet, a number of competition shows amp up the interpersonal drama.  I used to enjoy America’s Next Top Model, but in the last few years it’s become an unwatchable mass of acrimony, like The Real World interspersed with occasional photo shoots.  Clearly I’m not the target market, and I know there must be a huge audience for hair-pulling and imprecations, since there are so many shows about them.  But for my taste, just show me the competence.

Under the Gunn (Lifetime, new.  Reality/Competition.)

Watched: most of one season  (a few episodes remain)

Premise:  Project Runway meets The Voice.

Promise:  The idea here is that three former Project Runway all-stars act as mentors for young designers who compete, Project Runway-style.  It has many of the same charms as Project Runway—seeing what creative people can do with various constraints—but we’re also getting to see a lot of the mentors’ processes, which is both good and bad.  Sometimes I just want to get out of their heads and into the designs.  I appreciate our discovering the finer points of what makes someone a good mentor, and discovering just how difficult Tim Gunn’s job on Project Runway really is.  But all of the designers are less experienced than their Project Runway counterparts, and it shows in their work, which seems less sophisticated and less well thought-out.  Plus, the parts that focus on the disagreements among competitors were never my favorites on Project Runway.  This has those, and also parts about the differences in mentoring style among the mentors.  While these have some interest from a pedagogical standpoint, they can get a bit slow.

Verdict:  Worth watching…but with one finger on the DVR remote to fast-forward through the slower parts.

Jim Henson’s Creature Shop Challenge (SyFy, new.  Reality/Competition.)

Watched: First two episodes

Premise:  Face Off for creature/puppet fabrication

Promise:  This show involves skills I can’t even fathom having to this degree or combination—creature building involves a very complex mix of creativity, technological skill, fabrication and sewing, painting, sculpture, and resourcefulness.  Because one of the most necessary for this sort of production is teamwork, this time there’s a reason for all of the attention to interpersonal interactions, and I’m actually quite impressed by how well everyone gets along.  Still, the first two episodes have a bit too much interpersonal drama for my taste.  For that reason, as the hard-to-work-with people are eliminated, as they undoubtedly will be, it will get more fun to watch, since fundamentally this is a great display of competence—watching people do amazing things in a short time and get constructive feedback.  It’s not quite So You Think You Can Dance, since the results of their feverish work isn’t emotionally impactful the way dance is, but I’m enjoying being impressed by their abilities, and the abilities of the puppeteers who ultimately operate their creations.

Verdict: If you like Face Off, this is great.

I’m giving a SimonBaker to American Dream Builders, which is another competence competition show, but about home renovation contractors.  I really enjoyed Trading Spaces some years ago, and I imagine this show it would hold much of the same appeal but also much of the same pitfalls.  I would really enjoy “Top Chef meets This Old House,” and perhaps this show is it.  But as it stands, I just didn’t have time to give it a chance.

On the DVR/Unreviewed: The Red Road, Review, Sirens, Crisis, The 100.